There's much to see here. So, take your time, look around, and learn about the importance of The Cenotaph, Memorial Park. We hope you enjoy our site and learn something new.
The winged “victory” figure stands on a globe commemorative of world wide conflicts. In one hand she holds the victor’s palm and in the other outstretched hand, she holds the wreath of sacrifice. “Victory through Sacrifice” is the main theme of this monument which has been successfully presented by the sculptor.
Around the top of the column is a carved frieze with the head of a lion in each corner and decorative laurels carved in bold relief. The lion became England’s symbol in the 12th Century and is still prevalent today as it represents courage, nobility, royalty and strength. It also represented the might of the British Empire.
The two soldiers at the front of the monument, facing West, represent “courage”. It depicts a soldier standing valiantly, armed with a rifle, guarding an injured comrade who lies on the ground at his feet with the wounded soldier’s left arm around the leg of his courageous comrade.
The female figure on the North side is of a Red Cross nurse, with a badge visible on her uniform holding a laurel wreath representing Peace and Honour. The Red Cross played an integral role from primarily tending to the sick and wounded soldiers and sailors to searching for missing people and transporting the wounded. They also assisted in air raid duty.
The female figure on the South side sits pensively reading the Scroll of Fame which depicts Fame and Immortality. The unraveled scroll represents the list of names of the fallen soldiers who will be remembered and commemorated forevermore as a result of making the ultimate sacrifice, their lives.
The two prows of the ships on the North and South sides represent the Royal Navy, the “guard” of the British Empire and the Mercantile Marine, whose crew played a major role in the war and made huge sacrifices to sustain Britain’s commercial sea power, with a constant flow of supplies for both civilian and soldier.
The Cenotaph was originally erected “in honour of all who served, in memory of those who fell” during World War I. The inscription eventually extended to also cover World War II by adding the dates 1939-1945 to the Cenotaph to pay tribute to the Trinbagonians who served or were killed during these wars.
Granite is an igneous rock composed of large mineral grains that fit tightly together. It is phaneritic, meaning its individual grains are large enough to distinguish with the human eye. Granite always consists of the minerals quartz and feldspar, with or without a variety of other minerals. It was chosen because of its prestige offering both durability and elegance.
‘L.F. ROSLYN R.B.S. LONDON’ and ‘L.F. ROSLYN Sc. LONDON’ are inscribed on the northern and eastern sides, respectively, of the Cenotaph. This is the name of the sculptor, Louis Frederick Roslyn, born Louis Frederick Roselieb, also known as Louis Fritz Roselieb, (1878-1934), was a British sculptor noted for his World War I war memorials and other sculptures. He was born in Lambeth, London and was a member of the Royal Society of British Sculptors (R.B.S.). During his lifetime, Roslyn executed many war memorials in England and Wales. He was engaged by the Governor General of Trinidad and Tobago, Sir John Chancellor to design and build a war memorial to honour the fallen soldiers from Trinidad and Tobago who fought in WW1.
Photograph: One of Louis Fredrick Roslyn's bronze reliefs featuring a nurse on Darwen War Memorial in Bold Venture Park, Darwen.
One of the most solemn reminders of the role T&T played in the horrors of two World Wars is the cenotaph at Memorial Park. This year marks the 100th anniversary of the start of the Great War in Europe which grew to engulf the British Empire as well.
As a loyal colony, T&T saw many of its young men enlisting in various corps to fight for their monarch. They came from all backgrounds, ranging from poor black men merely looking for an opportunity to the sons of rich planters who felt that they would return covered in glory. A large number left their bones in lonely war graves in Europe.
Given the terrible casualties that were reported (in all over 200 men from T&T lost their lives), a public meeting chaired by the Mayor of Port-of-Spain, Dr Enrique Prada, was held at the Princes Building on August 4, 1916, to discuss a permanent memorial to the deceased.
This consultation was attended by Governor Sir John Chancellor and though the idea was approved, it was decided to wait until the war ended to implement it. Thus, it was not until 1918 that the project was revived, and at a public conference in 1919 the suggestion was made that the monument should be erected on Marine (Independence) Square in the area now occupied by the Cipriani statue.
Strenuous objections to this site led to another location being earmarked, this being the “Little Savannah,” which was then an open pasture opposite the Royal Victoria Institute (National Museum). Sir John Chancellor’s successor as governor, Sir Samuel Wilson, approved the transfer of the Little Savannah to the Port-of-Spain City Council to initiate the memorial. It was Sir John, however, who whilst visiting England in 1919 had contacted sculptor LF Roslyn who conceived a design of an arch (much like Paris’s Arc de Triomphe) and produced drawings which were displayed for public viewing at the Royal Victoria Institute.
During the war, a stamp tax had been implemented to raise revenue and this was now debited for the immense sum of $32,000 for the cenotaph, with an additional $5,000 being raised by public contributions. The foundation stone of the cenotaph was laid on May 1, 1924, by Sir Samuel Wilson, with a time capsule containing the history of the project as well as newspaper clippings and coins being inserted. The monument was described in the Port-of-Spain Gazette as follows:
“The memorial is of portland stone and bronze, with a set of four granite steps around the base constructed on a solid circular concrete foundation about 18 feet across.
Standing squarely on the granite steps is the massive base of the column, let into which are the bronze panels engraved with the names of the fallen, some 168 in number. Rising immediately above this are three emblematic groups of statuary—one in front and one on either side. The front represents Courage—the figure of a soldier armed with a rifle, standing guard over and defending a dying comrade who lies on the ground at his feet.
The side groups are the prows of ships emblematic of the part taken in the war by the Royal Navy and the Mercantile Marine, and on each is seated a female figure–the one on the South in a pensive attitude reading the scroll of Fame, the other on the North, bearing a laurel wreath, emblematic of the tender care of the sick and fallen.”
On June 28 of the same year, coinciding with the fifth anniversary of the Treaty of Versailles, the cenotaph was unveiled by the mayor and other dignitaries with marines from the warship HMS Ormonde providing the Guard of Honour. The inscription read: “1914-1918. In Honour of All who Served, In Memory of All who fell.” The names of 180 war dead were engraved thereupon with a re-dedication in 1945 for an addition to the memory of the fallen of World War II.
The names of these brave men of the second conflict are on a separate monument in the Military Cemetery in St James. Every year, a dwindling number of WWII veterans and numerous public officials gather at Memorial Park on the Sunday closest to Armistice Day, November 11, to commemorate the sacrifice of the fallen soldiers with a wreath-laying ceremony. Though there will soon be no more of those who gave their service in the war effort, the cenotaph will long stand to remind us of the people who dared risk and lose their lives so that others could live in freedom.
- Unveiled: June 28, 1924
- Height: 44ft 9ins / 13.94m
- Stone column: 32ft / 9.75m
- Angel of Victory: 12ft 9ins / 3.89m
- Total weight: 80 tons
- Approximate cost: £8,000
- Names on 3 plaques: 180
- Time capsule buried: May 1, 1924
Portland stone is a limestone which was formed 150 million years ago in the Tithonian stage of the Jurassic period and quarried on the Isle of Portland, Dorset, England. The tiny grains of sediment compacted together have formed a unique texture, grain and colour.
The stone has been extensively used throughout London, other major cities across Britain and around the world. In Britain, Buckingham Palace and St. Paul’s Cathedral are notable examples. Internationally, it was also used for the United Nations Headquarters in New York City and the Auckland War Memorial Museum in New Zealand.
On 11th November 1920, London’s Whitehall Cenotaph was unveiled by King George V commemorating the millions killed during World War I. Subsequently, Britain shipped cenotaphs made from the prestigious Portland stone to many of the commonwealth countries, including Trinidad and Tobago, France, South Africa, India and many more, for their involvement and contribution to the war.
Photo credit: Mark Wilson
Included as part of the design is the Badge of Trinidad (1889 - 1958) which was Trinidad and Tobago’s Coat of Arms and part of it’s colonial flag as a Crown Colony. The Badge depicts the harbour of Port of Spain and mount El Tucuche with two Royal Navy frigates flying the white ensign and a boat with crew in the foreground. The Latin phrase written below, ‘miscrerique probat populos et foedera jungi’ translates to ‘He approves of the mingling of the peoples and their bonds of union’. The quote derived from ‘misceruve probet populos, aut foedera iungi’, in Virgil's Aeneid (Book IV, Line 112). The Aeneid is a Latin epic poem, written by Virgil, a famed Roman poet, between 29 and 19 B.C. and is regarded Virgil’s masterpiece and one of the greatest works of Latin.
The Latin quotation can also be found in the 1979 novel ‘A Bend in the River’ by V. S. Naipaul.
On May 1, 1924, a time capsule was embedded in the second course of the foundation of the monument by the Governor General of Trinidad and Tobago, Sir Samuel Wilson (1922-1924). The time capsule is in the form of a sealed glass jar carrying newspaper clippings, coins of the realm and a parchment containing a record of the history of the memorial, from the first meeting on August 31, 1916 where it was resolved that the Port of Spain City Council erect a memorial to commemorate the part taken in the Great War to June 28, 1923, when the government conveyed The Little Savannah, now Memorial Park, to the Port of Spain City Council.
The restoration of the 44ft 9ins high structure included the intricate removal of 40+ layers of paint over the Portland stone and granite steps as well as the stripping and reinstating of the patina on the bronze statues. This re-established the integrity of the monument, revealing the true beauty of the 150 million year old Portland stone, the exquisiteness of the granite steps and the lustre of the bronze statues and plaques.
The project was commissioned in 2018 by The Port of Spain Corporation, under His Worship, Mayor Joel Martinez. The historical data and photographs were made available by Gerard Besson, Angelo Bissessarsingh and The National Archives of Trinidad and Tobago. The complete project was managed by Mr. Anthony C. Salloum.
At the 11th hour on the 11th day of the 11th month of 1918, an Armistice was signed ending the war. Each year, Memorial Day is commemorated on the second Sunday in November where tribute is paid to the brave soldiers who perished in World War I and World War II.
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